Jerwood Images
The images are of the work currently exhibited at the Jerwood Space.The last image is of the new piece titled Nocturne. The piece comprimises of four individual trajectories dancing towards the central light source.


The images are of the work currently exhibited at the Jerwood Space.

These are the first images I have seen of the new piece for the Jerwood Contemporary Makers Exhibition. I would like to thank Lhotsky Studios for all there expertise and especially their patience during this difficult casting.
Unfortunately the new supports I designed for Flight have not been able to balance the piece. Hopefully when I attend COLLECT today I will be able to sort this out.
As you can see the support for the white piece was very successful, especially with the thin defining line that has been created.

With the Jerwood just around the corner I have been getting asked where I work and especially what kind of facilities do I need for my practice.
With COLLECT just around the corner I have finally created a 'support' solution that I think answers the question of " How do you make a heavy object appear weightless?" I'm sure I will still have my critics regarding this ongoing saga but the problems arises from never designing the piece with a base in mind from the outset.
I have also finished the new versions of Blown. This series was first created in 2005 as part of my RCA graduation project. The set will be on-show from the 6th May - 13th Sept in New York at the Museum of Art & Design as part of the Object Factory exhibition.
t of wind. This is an interesting piece as I feel the attention to detail in the surface pattern makes the simulation feel real.
So with the looming Object Factory: The Art of Industrial Ceramics exhibition deadline ever pending here is an update on the progress of the new Blown series of cups. I have to thank Becca Wilson for her speed and professionalism during the mould making process.Up next will be COLLECT at the Saatchi Gallery with Craft Scotland. I will be showing three pieces of work, each with their own installation challenges.
This image was taken in the Louvre and is demonstrating movement in a static object. The current issue with the Flight pieces is exactly this, how to portray a sense of weightlessness rather than gravity. I will have some test 'supports' this week.
On another note here is the edited Press Release for the Jerwood Contemporary Makers Prize:
Through art, craft and design in his work, Geoffrey Mann has created a new hybrid practice. Using a combination of cinematic stop-motion techniques, CAD modelling, rapid protoyping and traditional hand-craftsmanship, his work challenges the known boundaries of glass kiln casting fabrication. For the first time, he will present two works concurrently, both produced virtually by a glass factory in the Czech Republic.
Geoffrey creates highly crafted object which, while not made by him, are still loyal to his signature style.
This is a sneek preview of the new Blown series that will be exhibited at Object Factory II during May in MAD, New York. I felt these pieces needed a new lease of life since 2005 and also I have always thought this was an under-developed and much under-rated project.

Linda Florence – Creating customised, tactile and highly decorative surfaces, Linda deals with our messy and complicated world in her work. She is known for her application of ‘fugitive’ materials in her works: sugar, rust, iron filings and biscuits, and as a designer specialises in bespoke hand made wallpapers.
Julia Lohmann – Inspired by flotsam, jetsam and the ever-increasing masses of rubbish floating in the oceans of the world, Julia will create a series of objects made from porcelain, leather, rubber and plastic for this exhibition. Working with a zoologist, she will 'seed' them with tiny marine organisms called Bryozoa to create intricate, lace-like surface patterns on the objects.
Geoffrey Mann – Through art, craft and design in his work, Geoffrey Mann has created a new hybrid practice. Using a combination of cinematic stop-motion techniques, CAD modeling, rapid prototyping and traditional hand-craftsmanship, his work challenges the known boundaries of glass kiln casting fabrication. For the first time, he will present two works concurrently, one hand-crafted and one produced virtually by a glass factory in the Czech Republic.
Rachael Matthews – Co-founder of Cast Off Knitting Club, Rachael Matthews works with other artists, knitters and collectives to organise events that are always collaborative, socially interactive and unique. For the exhibition, she will create an X-Factor style knitting experience, inviting knitters to present their half-made, problem pieces to a panel of artists who will decide whether or not they are worth taking on to complete.
Claire Norcross - A textile graduate who until recently has been known as lighting designer for Habitat, Claire Norcross is inspired by organic forms and is passionate about paper and origami. Her concept for the exhibition focuses on the light source being central to the sculptural form of her works. Using energy saving bulbs at the centre of her design, she will create huge, bespoke and highly crafted paper lights inspired by the geometric structures within nature.
Ismini Samanidou - weaving Ismini is a textile designer and artist working with woven cloth. She is fascinated by the construction methods of woven fabrics and by the way textiles can exist within an architectural space. Her work is mainly woven on a computerised jacquard loom, and will create her piece for the exhibition on a special large size loom in North Carolina. The finished piece will be a 3m high walk-through installation inspired by the history of the Jerwood Space building.
I will be documenting the process of creating two new pieces of work for the exhibition in June in the upcoming months.

The image shows the new wax. This has a different end profile as the previous version of Flight landing was too ambiguous. Once again I am creating the piece in collaboration with Lhotsky Studios.





via Rosentahl Generations project 2004


via Doodlemotion
It is a great honour to receive this award especially given the nature of the work I have created. This is another example of how the World Craft Council embraces progressive practices.








